Axel round table

Stefano Bigi

10 mm. thick bronzed tempered glass top.
Base in walnut wood with chromed round circular plate.

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Axel is a wonderful round table 100% made in Italy.
Design by Stefano Bigi.

Its round top is available in diameter 140 or 160 cm.
It’s realized in bronzed tempered glass 10 mm. thick.
The top is fixed to the base through electro-welded plates.

The base is very original and it’s the most relevant detail of the table.
It’s realized in solid walnut wood and rests on a circular base in chromed metal.

On demand, we can realize this table with several alternative finishings.
We can realize the top in white Carrara marble, black Marquina marble, wood or other glass finishing.
We can realize the base in wengé, ash tree, or in wood lacquered in any RAL colours.

Moreover, the table is also available in some alternative dimensions, round, squared or rectangular, …

Contact us to get full information about the alternative finishing.
E-mail us at or call us at +393477960415.

Axel is a table of prestige and of a great visual effect that shows an extreme attention to detail, typical of craftsmanship made in Italy.

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Stefano Bigi

Born in 1974, Stefano Bigi grew up between France and Italy. Out of this double culture, he has acquired a taste for the chic and the beautiful . After studying at Art School, he started a career in webdesign within a SSII before becoming self-employed. It was 10 years ago that he first began to sketch sofas, decorative objects, and his obsession: chairs. However, when he turned 31 he decided to live for his passion : to design furniture and decorative objects. Since 2005 he has established himself in Milan and founded his own company: Helldesign di Stefano Bigi.

“Design for me is an infinite, exasperated research towards the right balance between aesthetics and comfort, form and function. I try to create emotion, to invite people to sit or to use my furniture when they see it. My search goes towards those who disregard standards and uniformity, although with different needs and desires. I draw furniture for those who see a chair as much more than a seat with four legs or feet. I do not intend to create pieces for museum collections; my furniture is made to be lived and to live with its owners. These round and harmonic forms are always looking for an atmosphere, a peculiar environment, a separate space, a space apart, a space to one. Home furniture which is no more a constraint but instead a desire. I also consider comfort at top value, as creating desire is just a side effect of my job. If the design seduces, the comfort develops loyalty from the customer. A piece of furniture is not just a designer's output to me: it is the result of the cooperation between the designer's insight and manufacturer's technical skills, between the form and the technical imperatives. Achieving a balance between innovation and rationalization is the engine pushing me towards new horizons”.