MIRAGGIO round mirror in American walnut

Designer:
Stefano Bigi

Solid American walnut frame.
Shelf for little objects included.

Dim. diametre cm. 100.

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Stefano Bigi has created a collection of wall mirrors with a simple and very effective design.
The frame is discreet, with just the right thickness to appreciate the materiality of the precious and warm solid American walnut and add, without ostentation, a precious and refined style to the mirror.

The round mirror proposed here has a diameter of cm. 100.

The wall mirror is equipped with a shelf for little objects, also made of solid American walnut. An original and practical detail.

The mirror can be made of transparent or bronzed glass.

The Miraggio round mirror in American walnut can also be supplied without its shelf (the price will be cheaper).

 

It can also be made in other finishes.
The finishes available for the frame are:

  • wenge
  • walnuts
  • tobacco
  • American walnut (as in the photos)
  • black stained ash
  • open pore matt lacquer

The Miraggio wall mirror can be made in different shapes and sizes:

  • quadrangular – cm. 100 x 100
  • round – cm. Ø 100 (as in the photos)
  • ellipsoid – cm. 120 x 60

Contact us directly to customize your mirror.

Width (cm)

100

Height (cm)

100

Depth (cm)

6.5

Volume (m³)

0.01

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Stefano Bigi

Born in 1974, Stefano Bigi grew up between France and Italy. Out of this double culture, he has acquired a taste for the chic and the beautiful . After studying at Art School, he started a career in webdesign within a SSII before becoming self-employed. It was 10 years ago that he first began to sketch sofas, decorative objects, and his obsession: chairs. However, when he turned 31 he decided to live for his passion : to design furniture and decorative objects. Since 2005 he has established himself in Milan and founded his own company: Helldesign di Stefano Bigi.

“Design for me is an infinite, exasperated research towards the right balance between aesthetics and comfort, form and function. I try to create emotion, to invite people to sit or to use my furniture when they see it. My search goes towards those who disregard standards and uniformity, although with different needs and desires. I draw furniture for those who see a chair as much more than a seat with four legs or feet. I do not intend to create pieces for museum collections; my furniture is made to be lived and to live with its owners. These round and harmonic forms are always looking for an atmosphere, a peculiar environment, a separate space, a space apart, a space to one. Home furniture which is no more a constraint but instead a desire. I also consider comfort at top value, as creating desire is just a side effect of my job. If the design seduces, the comfort develops loyalty from the customer. A piece of furniture is not just a designer's output to me: it is the result of the cooperation between the designer's insight and manufacturer's technical skills, between the form and the technical imperatives. Achieving a balance between innovation and rationalization is the engine pushing me towards new horizons”.